Thought I'd put this puzzling question that I posed to Olle (HackingChinese) under this article. - Olle is busy so I'm unsure if he will see or answer it anytime soon.
My question was in reference to this comment:
"If the component requires a convoluted explanation (verbal or graphic), my memory won’t keep it. Since visualisation is also a challenge for me, I tend to be extremist (!) and need an etymologically rational explanation."
My struggle is likely partly b/c I don't fully understand how best to create a mnemonic (I've read your great articles).
My Current Strategy: if I fail to remember a word in Anki, I check SmartHanzi's component breakdowns (drawn from an Etymological Dictionary that breaks characters into one phono-semantic and one semantic component). I guess this is 'Level 5 depth'. DongChinese is my backup (it's breakdowns differ; matching your teaching: characters have one semantic and one phonetic component).
My (untested) impression is that creating a "convoluted" story with many details (that don't *logically* follow each other), might be difficult for me; I'm certainly overwhelmed by the prospect of having hundreds(+) of these stories, and the prospect of initially setting them up poorly vis-a-vis each other.
Whereas, if this dictionary's authors are correct: that 94% of characters have one phono-semantic and one semantic component, then I can use logic (something we intuitively understand) to deduce character meanings, without creating anything additional (story or otherwise).
Yet, I assume a story often is more memorable, and that the meaning of characters is not (indeed often isn't) straight-forwardly deduced by a learner who knows component meanings, (this is evident in the dictionary's entries).
So perhaps the upfront work is more intimidating to me (inventing vivid stories, and doing so correctly vis-a-vis each other), but long-term retention is better. Whereas, I guess what I (and maybe Fearchar) are currently doing is relying on our existing understanding of logic/rationality to piece together the semantic and phono-semantic (actual/etymological) meanings of components.
E.g.,
1. '上' often means 'on/above', and
2. '坡' is made from '土' 'earth' (Semantic) + '皮' 'align' (Phonosem.); together depicting: "aligned hillsides, slopes or embankments".
So, granted I memorize the components (which is possible I think right(?); i.e., there aren't too many),
my mind doesn't need an additional unrelated story to link these two components/to realize the meaning of: ‘上坡’ (uphill; upslope; to move upwards, etc.). i.e., logic does that linking for me.
However, this linkage/realization is probably very difficult, because it's not always crystal clear how the two components connect to create the word meaning (a comparatively small number of components cannot cover the hundreds of thousands of words/meanings), and (I think?) each component can mean multiple things.
And to your question, I guess the only way a visual story differs from this process is that there is less that is being created/invented (b/c 1. component meanings are memorized/known, 2. logic is intuitive to humans).
As you can see, I'm still unsure what strategy is better, but probably it's your story/mnemonic method.
Appreciate any insight and advice you have, this has been bothering me a while."
My question was in reference to this comment:
"If the component requires a convoluted explanation (verbal or graphic), my memory won’t keep it. Since visualisation is also a challenge for me, I tend to be extremist (!) and need an etymologically rational explanation."
- Olle:
"But there’s no contradiction between visual and etymological? I mean, many of the actual etymologically correct explanations are visual as well. I’m curious what you mean here, though, how do you create mnemonics if they aren’t visual? Or do you mean that you still associate concepts in a meaningful way, but verbally rather than actually visualising them taking place?"
My struggle is likely partly b/c I don't fully understand how best to create a mnemonic (I've read your great articles).
My Current Strategy: if I fail to remember a word in Anki, I check SmartHanzi's component breakdowns (drawn from an Etymological Dictionary that breaks characters into one phono-semantic and one semantic component). I guess this is 'Level 5 depth'. DongChinese is my backup (it's breakdowns differ; matching your teaching: characters have one semantic and one phonetic component).
My (untested) impression is that creating a "convoluted" story with many details (that don't *logically* follow each other), might be difficult for me; I'm certainly overwhelmed by the prospect of having hundreds(+) of these stories, and the prospect of initially setting them up poorly vis-a-vis each other.
Whereas, if this dictionary's authors are correct: that 94% of characters have one phono-semantic and one semantic component, then I can use logic (something we intuitively understand) to deduce character meanings, without creating anything additional (story or otherwise).
Yet, I assume a story often is more memorable, and that the meaning of characters is not (indeed often isn't) straight-forwardly deduced by a learner who knows component meanings, (this is evident in the dictionary's entries).
So perhaps the upfront work is more intimidating to me (inventing vivid stories, and doing so correctly vis-a-vis each other), but long-term retention is better. Whereas, I guess what I (and maybe Fearchar) are currently doing is relying on our existing understanding of logic/rationality to piece together the semantic and phono-semantic (actual/etymological) meanings of components.
E.g.,
1. '上' often means 'on/above', and
2. '坡' is made from '土' 'earth' (Semantic) + '皮' 'align' (Phonosem.); together depicting: "aligned hillsides, slopes or embankments".
So, granted I memorize the components (which is possible I think right(?); i.e., there aren't too many),
my mind doesn't need an additional unrelated story to link these two components/to realize the meaning of: ‘上坡’ (uphill; upslope; to move upwards, etc.). i.e., logic does that linking for me.
However, this linkage/realization is probably very difficult, because it's not always crystal clear how the two components connect to create the word meaning (a comparatively small number of components cannot cover the hundreds of thousands of words/meanings), and (I think?) each component can mean multiple things.
And to your question, I guess the only way a visual story differs from this process is that there is less that is being created/invented (b/c 1. component meanings are memorized/known, 2. logic is intuitive to humans).
As you can see, I'm still unsure what strategy is better, but probably it's your story/mnemonic method.
Appreciate any insight and advice you have, this has been bothering me a while."